Returning to Adelaide Fringe for its fifth year, California Dreams by Night Owl Shows delivered an unforgettable evening of nostalgia, storytelling, and impeccable musicianship at the Regent Theatre. This immersive tribute to the golden age of West Coast folk-rock transported the audience straight into the heart of Laurel Canyon, where legendary artists like Joni Mitchell, The Mamas and the Papas, and Neil Young once shaped the sound of a generation.
Fresh off sell-out runs at the Edinburgh Fringe and Fringe World Perth—where it claimed a Weekly Music Award—this show continues to prove why it’s one of the most celebrated musical experiences on the festival circuit. Comprised of the supremely talented Dan Clews (guitar, vocals), Reine Beau (vocals), Angus Munro (vocals, saxophone), and Sara Leane (vocals, piano), the ensemble brought an effortless authenticity to some of the most beloved songs of the 1965–1975 era.
From the moment the first chords of “Mr Tambourine Man” rang out, the audience was entranced. The band’s chemistry was undeniable, seamlessly weaving together harmonies that captured the soul of the era. Standout performances included Sara Leane’s soaring rendition of Joni Mitchell’s “Both Sides Now”, Munro’s take on The Beach Boys’ “God Only Knows”, and Clews’ heartfelt interpretation of Neil Young’s “Heart of Gold”. Reine Beau’s captivating performance of Carly Simon’s “You’re So Vain” (or “You’re So Reine” as she got the crowd to sing) was another highlight. But the band were at their most effective when harmonising as a collective, with Joni Mitchell’s “Big Yellow Taxi” and closer The Mamas & The Papas “California Dreamin’” having everyone in the theatre singing along.
Beyond the music, California Dreams distinguished itself with its storytelling. Between songs, the performers shared fascinating insights into the history of Laurel Canyon—painting vivid pictures of the collaborations, romances, and creative explosions that fuelled this era of musical brilliance. From David Crosby’s sailboat purchases and relationship with Joni Mitchel to Neil Young’s original introduction to the first listen of his Harvest album, these narratives provided a deeper emotional connection, making the show feel like more than just a concert—it was a journey through time.
The production itself was beautifully understated, allowing the music to take centre stage. With warm lighting and a simple set illuminated by the cinema screen behind them showing imagery of the artists, the atmosphere felt intimate despite the grandeur of the Regent Theatre. The audience responded in kind, swaying, singing along, and erupting into applause after every number.
For fans of classic folk-rock and those who appreciate the art of storytelling through music, California Dreams is an absolute must-see. It’s clear why this show has gained such popularity over the years. It’s a love letter to an era that redefined the musical landscape.