The room is shrouded in darkness, and then, like a beacon, Helen O’Connor, the actress portraying Susan Atkins, steps onto the stage. As she introduces herself as Susan Atkins, she begins to narrate the enthralling story of her life with the infamous Charles Manson. It’s a tale that not only captivates but also engages the audience. 

Let’s take a moment to marvel at the writing. It’s not just good; it’s a stroke of brilliance. The script is a masterpiece, meticulously crafted. And when Helen breathes life into those lines, it’s akin to witnessing a virtuoso performance in storytelling, stimulating our intellect and imagination.  

Susan’s life was a paradox of sorts. Born into an average middle-class family, her parents’ struggle with alcoholism cast a shadow over her childhood, often leaving her to shoulder the responsibility of caring for her siblings. Leaving home as a teenager, it became apparent that she was easy prey for someone like Charles Manson, someone who had been in and out of institutions for half his life.

What I gleaned from the show about Charles Manson is that he was an accidental cult leader. The show’s portrayal suggests that he had no idea what he was doing; he was crazy. It makes sense, as he was constantly tripping on acid and any other drug he could get his hands on and had willing teenagers wanting to follow him. It had me thinking if it wasn’t the “Age of Aquarius”, would it still happen?

Helen’s costume was glorious. The light hit her one-piece romper suit, and at times, I was mesmerised by the rainbow of colours. Your eyes will go straight down to her gleaming go-go boots. We have another name for them, but I’m sticking with go-go boots for this piece.

This show has a very short season, so get in quick!

Another show at The Goodwood Theatre if driving into the city is not your thing during Fringe. Parking is not too much of a hassle, and it has a bar and lounge you can wait in before your show starts.