Max Olman’s cabaret show, affectionately dubbed their ‘first born child,’ is a brilliant debut. At just 18, Max commands the stage with a remarkable presence, blending humor and poignant reflections on living with the disability POTS. Their beautiful voice resonates through clever lyrics set to contemporary folk melodies, entertaining us from start to finish.

The show is a celebration of disability, with Max’s need for saltwater shots, a necessity for managing their condition, becoming a delightful part of the performance. Their backing band shouting “shots, shots, shots,” when they need to take one creating an atmosphere of joy and camaraderie that perfectly encapsulates the dark humor threaded throughout the production.

Max's songwriting is profound, tackling themes of grief associated with a life altered by chronic pain. However, rather than being preachy, the show feels like a warm, funny conversation. It’s sprinkled with activism that empowers the audience, making everyone feel seen and heard.

Through anecdotes and original songs, Max shares the multifaceted aspects of life with a disability—the highs and lows—with authenticity and vulnerability. 

Max Olman is incredibly self-aware, openly addressing internalised ableism in themselves and society. This level of honesty is refreshing and contributes to the experience of the show.

With a performance as impressive as this, it’s clear that Max has a bright future ahead. I’m eagerly anticipating their next cabaret child—this talent is absolutely one to watch.